May continues. The gigs continue. I'm sure many of you at this stage, like me, probably want to read a blow-by-blow account of how Spencer Krug/Bradford Cox/Matt Berringer behaved themselves in some small Dublin venue as much as you want the rough end of a Black and Decker drill ground into your right eyeball. If so, stick around on the compost heap for a minute or two. You can enjoy a bit of respite from the gig grind as I turn my eye to the frankly shit-your-pants-terrifying camp-ocalypse that is this year's Eurovision song contest. Its on telly right now. I almost missed it, but was reminded that something strange was on TV by the tottering 6 foot Bet Gilroy-style male creatures in shimmering wigs that walked past my window earlier this evening clutching bottles of wine and knocking into number 3. A gay hair-stylist lives at number 3. He crashed our last Christmas party looking more festively bronzed than a well-done turkey and stole a bottle of Absolut Vodka. Anyway, as increasingly more exotic and gay looking dudes walked past the front window, it quickly clicked that the Eurovision was afoot, and there was a special cross-dressing party to mark the event underway a few doors down. We switched over, hoping the spectacle on screen would live up to the spectacle outside. As always, it was good for a few laughs, was a timely reminder that for one evening a year an entire continent can be a little bit gay, and was a curate's egg mixture of the monotonous, the diverting, the terrifying and Terry Wogan's (somewhat sparse) one-liners which included this one gem "she's surrounded by the three statutory prancing eejits".
I noticed a few things this year.
1: At least 40% of the songs are basically a melody-free version of the Muslim call to prayer on gak chanted by a transexual over an unhinged middle-eatern drumbeat with a gratuitous key change near the end. Something along the lines of Durpee-durpee-durpee-klangaklangaklangalang. This is somewhat acceptable from the likes of Turkey, but from Ukraine?
2: Sebastian Tellier sang a surprisingly sophisticated pop-song in the French tradition. But he looked so freakishly like John Waters I half expected a pained middle eight relating to the soulless twilight of the Celtic Tiger, Katy French and father's rights.
3: The demented Spanish dude was really, really a lot like Dublin indie merchant Robotnik. Chris Morrin oughta sue.


Robotnik..........................Scary Spanish Dude
4: Finland is fucking scary. Its full of leathery mountain dwelling monsters and bouffant 7 foot men with pointy guitars.
5: Ireland loves Latvia and Lithuania. I'll put it out there and say its because they are the most musically talented countries in Europe. I mean why else would we give them 10 and 12 points?
6: Russia won. Because everyone is scared shitless of Vladimir Putin. In fact the Eurovision is a 1984 style, thinly veiled, horrific harbinger of a soulless, autocratic Europe controlled by its most oil-rich country.
7: Bosnia Herzogovina deserved to win. Their effort was spectacular. Women knitting. A Helena Bonham Carter character hanging clothes on a rope. A dizzying, hypnotic trip of a tune sung in the style of Of Montreal by a strange elfin man who stalked the stage like the malfunctioning love child of Kevin Barnes and the child catcher from Chitty Chitty Bang Bang. They may not have won, but surely, they'll be booked for ATP next year?
My token MP3 unfortunately has nowt to do with the Eurovision. Its more Built to Spill. Why? Cos Im still creaming meself that they are playing Dublin. This song is called Else. Its plays like a soft, extended hug. Play it on repeat. Its a never ending charm.
MP3: Built to Spill-
Else